As of August 12, 2021 we have the following used and vintage instruments in Zach's Attic:
Click on one of these instruments or just scroll down for photos and more information.
Want to peek at the extraordinary range of cool and interesting instruments that have passed through Zach's Attic? Just click HERE!
We're always looking for interesting used and vintage guitars, basses and other fretted instruments that need new homes. (Sorry, we don't accept used band instruments.)
If you have a used or vintage instrument that you think Zach might be interested in, bring it in and show it to him. (Call ahead to make sure he'll be in the store when you come.) If he likes your instrument we can work out a trade or buy it outright.
You can contact Zach by phone at the number above or via our Ask Us! page.
Buying a used or vintage instrument can be a scary process. If you don't know what you're looking for, you can easily overpay or end up with an inferior (or even unplayable) instrument.
When you buy a used or vintage instrument from The Minor Chord we guarantee it to be as described. If there are flaws in the instrument that we know about, we'll tell you. If there are significant flaws we didn't notice and disclose, tell us within 30 days and we'll cheerfully give you your money back.
The Minor Chord is a music store you can trust!
Zach is our store manager and head instrument buyer. He hunts down the top quality used and vintage instruments that we feature here in "Zach's Attic".
Fender American Standard StratocasterAnother very clean Strat has arrived to the Attic! The American Standard Stratocaster has long been a Fender mainstay. American-made with quality parts, a great feel, and that sweet expressive sound, the American Strat is a versatile workhorse. This guitar, along with the 1981 Martin D-28 we recently sold, was from the same owner who kept both in simply amazing condition - especially for a gloss black finish guitar, which typically shows wear and marks. This one is in excellent-plus shape. Save some money off the new price and get a beautiful guitar that's got 21 years of some broken-in mojo. Asking a very fair $1,199.00 in the original Fender hardshell case. |
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Martin DCPA4 RosewoodIf the D-28 is a bit of a stretch on the wallet and you want a tad more versatility with the cutaway and pickup, consider this near mint condition DCPA4 Rosewood that just arrived to the Attic. Built in 2012 in the Nazareth factory out of proven tone woods, it won't disappoint in sound. The Performing Artist neck shape has a nice slimmer feel to it. Nice to have the access up the neck if you need it, these guitars were designed with the performer in mind for sure. The equivalent new Martin is approaching 2K now, here's your opportunity to get a great deal at $1,199.00 in the original Martin hardshell case. |
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Gibson SG ModernSometimes a customer buys a new instrument, then realizes shortly afterwards that it wasn't what they were looking for. Here's an example and a great opportunity to get a brand new, harder-to-find Gibson model. The SG Modern is certainly a head-turner featuring its AA figured maple top in the Blueberry Fade finish. The ebony fingerboard is a nice extra feature making for even smoother playing than the legendary SG already is. Because of the wood scheme on this guitar, the tone is a bit brighter than a standard mahogany model. Plenty of volume with the dual Burstbucker Pro humbuckers, they both can be coil-tapped with the push/pull volume knobs for an even brighter and more snappy sound. This would be a great choice for a lead guitar player in a band, easy and quick access up to the 24th fret. Barely a mark on it, in excellent/near mint condition. $1,799.00 in the Gibson case with all original paperwork and case goodies included. |
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Taylor 214ce-K SBWe're always on the lookout for used Taylors, and here's a like-new 214ce-K SB. We often say that Taylor's 100 and 200 series guitars are an excellent choice for getting that Taylor sound and easy playability at a more affordable price point. This particular instrument features layered koa back and sides, and a solid Sitka spruce top in the Shaded Edgeburst finish. A stand-out looking acoustic for sure, and the Grand Auditorium body is a great shape for both strumming and fingerstyle playing. The ES2 pickup system sounds big and full plugged-in with controls for bass/treble/volume. Offered at $1,049.00 in the Taylor hard bag. |
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Sigma 000M-15+Sigma guitars have been around since 1970, sometimes being built under the Martin family of brands. Here is a newer Sigma model. The 000 body size is a go-to for comfort with a good balance of sound for strumming chords and a fitting shape for fingerstyle playing. The solid mahogany top yields a generally warmer tone than the brighter spruce, especially as it breaks in over time. In excellent condition, asking $399.00 with hardshell case included. |
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Vintage 1965 Fender JazzmasterA vintage beauty has found it's way into the Attic! This particular Jazzmaster has a lot going for it. Only for a short time period starting in 1965 and ending in 1966 did the Jazzmaster feature the bound fingerboard with dot inlays. Block inlays were soon to follow. Although Fender was sold to CBS in January of 1965, it's well documented that no significant changes took place for a while. The body has been refinished in Burgundy Mist Metallic over the original sunburst. The finish has darkened and aged very nicely over the years. Even with the refin, this is still a very hard and desirable color to find on a vintage example. How does it play and sound...like a dream! The guitar was well played and well loved. The maple neck has that smooth, broken in feel that no new 'relic' neck can possibly duplicate. The soapbar pickups and electronics have seasoned beautifully and truly sound great! The rhythm circuit is nice to jam your warmer/jazzier chords on, and it's surf's up! with the brighter lead circuit. Although Fender designed this guitar with jazz players sitting down in mind, over the years it's been embraced by surf and alternative/rock musicians alike. Besides the refin it's in overall very good original condition. Price reduced to $3,999.00 in a new deluxe gig bag. |
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Larrivee P-09 FMSmall, super-sweet, and comfortable. Our latest Larrivee arrival is this made in 2004 P-09 FM. The 'FM' stands for figured maple back and sides. Larrivee certainly picked a gorgeous set of wood for this guitar, looks awesome with the maple binding as well. This instrument was extremely well-cared for by it's original owner. Barely a mark on it, it setup beautifully for lights. Nice low action and a sound that is far warmer and punchier than one would expect from the smaller size body. A great choice for intimate fingerstyle playing. Offered at $1,699.00 in the original Larrivee deluxe hardshell case. |
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Vintage 1977 Ampeg B-15N PortaflexIt has been a while since our last Ampeg Portaflex model was in the Attic. We are very pleased to offer to our bass customers this very nice 1977 B-15N. Featuring 30 watts of all tube power, accept no substitute for the real deal tone. The previous owner really went the extra mile to make this particular amp rock solid. The speaker was replaced with a 15 inch premium Altec 421-8H which was what Ampeg offered as the official upgrade at the time. The fiberglass insulation was upgraded to a modern polyester fill, the gasket was replaced and improved, and the latches are genuine replacements as well. The previous owner even made a bag to house the power cord so when the amp is flipped and put away, the cord doesn't damage the back of the speaker. Many famous bass players have used this exact model amp, and countless legendary tracks have been recorded with it. Motown legend James Jamerson and the Band's Rick Danko are just a couple that quickly come to mind. Overall in very good condition, rock solid, fully functional and ready for it's next bass journey! $1,499.00. |
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Breedlove Stage Parlor LTDJust as our last parlor guitar has left the Attic, another arrives! This Breedlove Stage Parlor LTD was a limited run guitar featuring some higher grade tone woods. The solid Sitka spruce top along with the solid Indian rosewood back and sides is a winning combo producing plenty of volume, sustain, and articulation. Well cared for by the previous owner it's in excellent shape with only some very minor play wear in the finish. Fresh setup for lights, the guitar has a really nice balance of sound and plenty of sustain. Ideal for light strumming and fingerstyle playing it's super comfortable on the lap. The LR Baggs system has a built in tuner and plenty of E.Q. for tweaking. Asking $699.00 in a brand new gig bag. |
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Fender Std. TelecasterFor decades now Fender's Standard Series guitars have been the affordable go-to workhorse instruments. This Olympic White Tele is overall in very good condition, there's a couple good size dings on the back of the guitar but from the front it appears very clean. Fresh setup for .010-.046 strings it plays great. The weight of these can go either way, this particular one is a bit more lightweight. Snap and twang away your favorite licks, or go for that famous cut-through clean tone. Asking $425.00 with gig bag included. |
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Fender Custom Shop Custom Classic StratFans of the Fender Strat check out this new arrival to the Attic...a stand-out Custom Classic Strat with ash body in Sunset Orange Transparent finish. Not a common finish to find, the transparent orange nicely highlights the grain of the ash wood. Beautiful flamed maple neck with a large 'C' profile. Not super-duper chunky but certainly larger than your typical modern 'C' profile. Really sits nicely in the hand in first position and plays great all the way up the neck, freshly setup for .010-.046 strings. The Custom Shop single coil pickups sound bright, snappy, and clear as a Strat should. The guitar market is very hot right now, it's not too often we get Fender Custom Shop models coming through. If you've been thinking of a sweet unique Stratocaster, don't hesitate on this one! Excellent condition just a few small marks, C.O.A. and original spec sheet included. Offered at $2,199.00 in original Fender Custom Shop hardshell case. |
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Fender Joe Strummer TelecasterPerhaps London is calling on you to check out this awesome limited run Fender Joe Strummer Telecaster. Modeled after his famous beat up 1960's Tele, Fender gave this one the road worn body, neck, and aged parts. A vintage-style feeling and sounding Tele, the neck is super smooth from the worn in finish and the single coils are nice and bright. This guitar was only made for a couple years and is already climbing in value and has become more collectible. We remember selling this model new at the store back in 2007. Offered at $1,299.00 in the original hardshell case. |
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Vintage 1969 M.G. Contreras ClassicalWe are very excited here at the store to offer this vintage 1969 M.G. Contreras classical guitar. Manuel Contreras Sr. was a Madrid native who excelled in guitar building both at the Ramirez workshop and his own. This particular example has an unsigned label, so it was likely made by one of his shop apprentices under his guidance. The guitar is in fantastic condition, it was well-loved and cared for by a local resident who adored it and even made some reel to reel recordings with it. Now that the tone woods are well-seasoned and broken in, it projects beautifully. Anyone in the market for a vintage Spanish-made classical, come check it out! Asking $5,499.00 in original case. |
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Almansa 401-1/2 Half Size ClassicalIt can be difficult to find a good step-up classical guitar for the young player. Most small classical guitars in this country are starter instruments with laminated tops. The improving young classical player requires a guitar with a solid top for better tone and a higher level of workmanship for responsiveness. The Almansa 401-1/2 is just such an instrument. Crafted in Spain with a solid red cedar top, this guitar has a short 544mm scale and slightly narrower 48mm nut width. That means it will fit the younger player comfortably but still deliver satisfying tone. This guitar was originally purchased at The Minor Chord and has had one local owner. That player later graduated to an Almansa 'Senorita' (7/8 size) guitar and traded their 1/2 size model. It's in excellent condition. Offered at $399 with a padded gig bag. |
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Vintage Squire by Fender 80's Telecaster JapanIt's been a little while since our last made in Japan vintage Fender has come through. This mid 80's telecaster is in great shape and should make someone looking for a tele very happy. Only a couple very minor marks, it looks almost new. The black finish with the maple neck and fingerboard is a solid visual look. Twang away with the two single coils, slimmer neck profile on this one. All original $699.00 including a hardshell case. |
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Michael Kelly ST-AB4 'NA'We've had a few Michael Kelly used instruments come through the Attic, here we have an excellent condition steel string acoustic bass. It's nice to have the option to be heard unplugged if you're just sitting around jamming or songwriting. The Fishman Classic 4 pickup system is now out of production but it does the job well with plenty of E.Q. tweaking if need be. With the cost and size of an upright bass, give this affordable more manageable ST-AB4 some thought. Offered at $399.00 in a hardshell case. |
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We see a lot of used instruments at The Minor Chord and a few common issues seem to show up in many of them. If you are thinking of buying an instrument on the private market, make sure you can spot these common flaws.
Most bridges on acoustic guitars are simply glued to the guitar top. If the glue joint starts to separate you are looking at a dangerous guitar. Six steel strings exert a huge tension on the bridge, and if it suddenly comes loose it can seriously injure anyone nearby. The staff at The Minor Chord has seen this happen - so we always inspect the bridge of an acoustic guitar before restringing it.
Piece of paper under a lifting bridge
If you can slip a sheet of paper under the bridge of your guitar (see picture) you should relax the string tension immediately and bring the instrument to us for inspection.
An experienced luthier can remove a bridge and reglue it, but the time and labor involved makes the process too expensive for beginner and intermediate guitars.
The distance between the strings and the fingerboard is called the action height. If the action is too high the guitar becomes hard (or even impossible) to play because it takes too much effort to press a string against the fingerboard. In addition, the guitar will probably not play in tune because each string has to be stretched so much (which raises its pitch) as it is pressed down.
Proper action height depends on two factors: The alignment of the neck and the height of the saddle (the point at which the strings rest on the bridge).
Electric and steel-string acoustic guitars usually have a truss rod running down the neck that can be used to adjust neck alignment. Classical-style guitars with nylon strings typically do not have a truss rod, and the only way to realign the neck is for a luthier to remove, shim and reinstall the neck - a major operation. The same operation is required on electrics or steel-string acoustics if the truss rod doesn't have enough available play to achieve the needed adjustment.
Saddle height is easily adjusted on electric guitars using a very small allen-head wrench. The saddles on acoustics and classical nylon strings may simply lift out of the bridge and can be shaved or shimmed to achieve the correct height. If these adjustments cannot bring the action height to a playable level, an expensive neck reset is required.
A low action height is desirable for easy playing but the action cannot be lowered so much that the strings start buzzing against the frets. Inexpensive guitars tend to have uneven frets, which means that the action height cannot be brought very low at all. Resetting or dressing the frets can even them up but it is a time consuming and expensive process, worthwhile only for valuable guitars.
All of these adjustments related to action height are fussy and interrelated. It's best to leave them to an experienced luthier, which means it is usually not economical to rescue an inexpensive guitar having these problems.