Martin HD28 Fender Blues Jr Fender Stratocaster Hunter alto sax Taylor DDX KORG SV1 Webber OO12 Sunburst
Now at 80 King Street · Littleton MA 01460 · (978) 486-0112 · Interstate 495 Exit 30
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What's In Zach's Attic Today?

As of October 3rd, 2017 we have the following used and vintage instruments in Zach's Attic:

Click on one of these instruments or just scroll down for photos and more information.

Zach's Archives

Want to peek at the extraordinary range of cool and interesting instruments that have passed through Zach's Attic? Just click HERE!

Contributing to Zach's Attic

We're always looking for interesting used and vintage guitars, basses and other fretted instruments that need new homes. (Sorry, we don't accept used band instruments.)

If you have a used or vintage instrument that you think Zach might be interested in, bring it in and show it to him. (Call ahead to make sure he'll be in the store when you come.) If he likes your instrument we can work out a trade or buy it outright.

You can contact Zach by phone at the number above or via our Ask Us! page.

Our Guarantee

Buying a used or vintage instrument can be a scary process. If you don't know what you're looking for, you can easily overpay or end up with an inferior (or even unplayable) instrument.

When you buy a used or vintage instrument from The Minor Chord we guarantee it to be as described. If there are flaws in the instrument that we know about, we'll tell you. If there are significant flaws we didn't notice and disclose, tell us within 30 days and we'll cheerfully give you your money back.

The Minor Chord is a music store you can trust!

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Our Used and Vintage Instruments

Zach is our store manager and head instrument buyer. He hunts down the top quality used and vintage instruments that we feature here in "Zach's Attic".


Taylor 414ce

Fresh to arrive in the attic is this very nice 414-ce. Along with the 314-ce, these guitars have been a staple in the Taylor line for a long time now.

Versatile size for strumming and fingerpicking without losing too much bottom end. 12 years old now it has broken in and warmed up nicely. Overall in very good/excellent condition.

There was a humidity top seam crack that was once there years ago but was professionally repaired by Pat DiBurro, a well-known New England repairman. Minimal fret wear, this guitar has plenty of good years left ahead of it, come check it out!

The specs:

  • Made in U.S.A. built in 2005
  • Popular Grand Auditorium Body Size
  • All Solid Ovankol back/sides
  • Solid Sitka Spruce top
  • Ebony fingerboard and bridge
  • Mahogany neck
  • 1-3/4 inch nut width
  • Expression System pickup
  • Taylor hardcase included

Fender '65 Reissue Mustang

Here is a near mint condition '65 Fender Mustang Reissue sold originally to one of our customers back in 2014. It was recently traded back in and is in superb condition. The Daphne blue finish is eye-catching along with the mother of pearl pickguard.

To think this was originally more of a student model guitar but over the decades it's become one of the most well loved surf guitars. Really nails that out of phase sound. A guitar in this amazing condition won't last long!

Gig bag included.

The specs:

  • Made in Japan
  • Vintage style tuners
  • Mustang bridge with whammy
  • Short scale neck
  • Single coil Mustang pickups
  • Dual slider switches to activate either pickup and phase controls
  • One volume knob, one tone knob

Harmony Rocket

We've had a few Harmony guitars come through Zach's Attic and this Rocket is in especially great shape. Made in the 60's in the USA, they are a good alternative to spending thousands on another hollowbody name. There's a certain 'plunkiness' to their sound that people tend to like. Lightweight and certainly vintage, it's a nice find! Includes a hardshell case.

The specs:

  • H54 model with vibrato unit
  • 40-1/2 inch length, 15-3/4 inch width, 2 inch thick body
  • Short scale neck
  • Single cutaway
  • Celluloid binding
  • White pickguard
  • Two volume and two tone controls
  • Gold-finish hardware

Fender '57 Reissue Strat

Like vintage Strats? You'll love this American made '57 reissue Stratocaster in two tone sunburst built in 1995.

The specs:

  • Alder body
  • Maple neck
  • Made in U.S.A
  • Vintage style apointments
  • Excellent condition
  • Slim 90's style "C" neck profile
  • Set up for .010-.046 strings
  • Hardshell case included

Gretsch Chet Atkins Country Gentleman Package

We are proud to offer this killer Gretsch package! Country Gentleman guitars come through from time to time but we've never encountered the matching Chet Atkins amp before. They were purchased together by the original owner in 1969.

Specs for the guitar:

  • Full hollow maple body with simulated F-holes
  • Maple neck with ebony fretboard
  • Dual 'Filtertron' humbuckers
  • Gold hardware
  • Bigsby vibrato
  • Slimmer neck profile
  • Some binding rot
  • Padded back and mute

Specs for the amp:

  • Separate head and cabinet units
  • Head has 70 watts of all-tube power
  • Normal and Tremolo/Reverb channels
  • Tone selector knob
  • Cabinet features 1x15 inch and 1x12 inch drivers
  • Beefy and clean tube sound
  • Manufactured by Valco

Guild A-150

This Guild A-150 is a rare early production Guild jazz box. Recently set up with a new bone nut and strung with flatwound .012's, it has that desirable plunky, warm hollowbody jazz tone.

It is generally in good shape, except there is a crack in the top seam that does not interfere with sound or playability. We have priced the guitar accordingly.

As a nice bonus, the guitar comes equipped with an original DeArmond "Guitar Mike" pickup which can command a vintage premium in its own right.

With only one owner since 1962, this Sheraton is ready for the next player's hands!

The specs:

  • Built in 1960 in Hoboken, NJ
  • 17 inch body width
  • Full hollowbody with a single cutaway
  • Solid spruce top
  • Laminated maple back and sides
  • 24-3/4 inch scale
  • Three-piece mahogany and maple neck
  • Adjustable rosewood bridge and rosewood fretboard
  • Original tuners, tailpiece and pickguard
  • Chesterfield crown and column logo headstock inlay
  • DeArmond "Guitar Mike" jazz pickup included!
  • Original hardshell case included

Vintage 1967 Epiphone Riviera

This very easy-on-the-eyes 1967 cherry-red Epiphone Riviera just arrived at Zach's Attic, and it's a beauty.

Made in the original Gibson Kalamazoo, Michigan factory, these are very desirable vintage guitars. The Riviera is a pretty tough to find model, especially in the cherry red finish which was only offered after 1966.

The specs: Classic thinline semi-hollowbody, bound body and neck, mahogany neck, rosewood fretboard with parallelogram inlays, original pickguard (the 'E' has come off), original Kluson deluxe tuners, and a 1-9/16 inch nut width.

It seems that this guitar was modified in the late 1960's to be more of a '335' style instrument. The original 'Frequensator' tailpiece has been replaced by a trapeze tailpiece. The original mini-humbuckers were also changed out for full size humbuckers.

Although these changes may not make a collector happy, the good news is that whoever did it kept period-correct parts on the guitar. The trapeze tailpiece looks to be from the 60's era. The humbuckers carry Gibson patent numbers from the late 60's and are therefore valuable in their own right.

The guitar is in excellent condition. It was well cared for and stored in a good climate. Very minimal fretwear with plenty of life left. All of the white binding has aged beautifully.

Unplugged, the guitar is very resonant and a joy to just sit on a stool and play. Plugged in, it sounds fantastic with the Gibson humbuckers, it can be loud and bright or warm and mellow. Bottom line is it sounds authentic vintage. The neck may be slim for some people but it makes playing chords very easy. The depth of the neck is a medium profile.

A vintage triangular hardcase is included

Fender Silverface Vibro-Champ

Don't be fooled by the size of this little amp - it can crank!

Six watts, all tube, it was originally intended as a student amplifier but over the decades has taken on a new life as a go-to small tube amp.

With its original speaker, the characteristic sound is a bit warmer than some of its larger Fender tube amp counterparts. The volume can be super-quiet if need be but at full throttle, the amp really shines with its natural overdrive - and at at non-ear-splitting decibels.

It's amazing the difference in the crunch this amp can deliver going from a single coil to a humbucker. The vibrato is a nice touch if you need it.

With this amp's simplicity, it really keeps the player honest. No bells and whistles to hide your mistakes! Harmonica players often favor this amp as well.

This one has its spots and scratches on the outer shell, but overall it is in great working condition. These silverface models are very affordable, going for way less than ones from the 50's and 60's.

Gretsch G5122

We are getting a lot of hollowbody guitars coming through Zach's Attic these days and for good reason...they're cool!

This time it's a Gretsch Electromatic Series G5122. Double-cutaway laminated maple body, rosewood fretboard and bridge. Dual-coil humbucking pickups. A Bigsby licensed B60 vibrato tailpiece. It is missing the pickguard but overall it's in excellent condition.

When you plug it in, it's very apparent that you're playing a Gretsch hollowbody - it has that nice clear, round Gretsch tone.

Both this guitar and the Samick are great ways to get into the jazzy/bluesy sound of a hollowbody at WAY below the cost of a Gibson.

Gig bag included.

Common problems with used instruments

We see a lot of used instruments at The Minor Chord and a few common issues seem to show up in many of them. If you are thinking of buying an instrument on the private market, make sure you can spot these common flaws.

Lifting bridges

Most bridges on acoustic guitars are simply glued to the guitar top. If the glue joint starts to separate you are looking at a dangerous guitar. Six steel strings exert a huge tension on the bridge, and if it suddenly comes loose it can seriously injure anyone nearby. The staff at The Minor Chord has seen this happen - so we always inspect the bridge of an acoustic guitar before restringing it.

Piece of paper under a lifting bridge

Piece of paper under a lifting bridge

If you can slip a sheet of paper under the bridge of your guitar (see picture) you should relax the string tension immediately and bring the instrument to us for inspection.

An experienced luthier can remove a bridge and reglue it, but the time and labor involved makes the process too expensive for beginner and intermediate guitars.

High action

The distance between the strings and the fingerboard is called the action height. If the action is too high the guitar becomes hard (or even impossible) to play because it takes too much effort to press a string against the fingerboard. In addition, the guitar will probably not play in tune because each string has to be stretched so much (which raises its pitch) as it is pressed down.

Proper action height depends on two factors: The alignment of the neck and the height of the saddle (the point at which the strings rest on the bridge).

Electric and steel-string acoustic guitars usually have a truss rod running down the neck that can be used to adjust neck alignment. Classical-style guitars with nylon strings typically do not have a truss rod, and the only way to realign the neck is for a luthier to remove, shim and reinstall the neck - a major operation. The same operation is required on electrics or steel-string acoustics if the truss rod doesn't have enough available play to achieve the needed adjustment.

Saddle height is easily adjusted on electric guitars using a very small allen-head wrench. The saddles on acoustics and classical nylon strings may simply lift out of the bridge and can be shaved or shimmed to achieve the correct height. If these adjustments cannot bring the action height to a playable level, an expensive neck reset is required.

A low action height is desirable for easy playing but the action cannot be lowered so much that the strings start buzzing against the frets. Inexpensive guitars tend to have uneven frets, which means that the action height cannot be brought very low at all. Resetting or dressing the frets can even them up but it is a time consuming and expensive process, worthwhile only for valuable guitars.

All of these adjustments related to action height are fussy and interrelated. It's best to leave them to an experienced luthier, which means it is usually not economical to rescue an inexpensive guitar having these problems.