What's In Zach's Attic Today?
As of September 16th, 2019 we have the following used and vintage instruments in Zach's Attic:
- Fender American Standard Stratocaster more >>>
- Rickenbacker 360/12 Fireglo more >>>
- Fender 68'Custom Princeton Reverb more >>>
- Gibson ES-137 Custom more >>>
- Vintage Guild T-50 'SB' ON HOLD more >>>
- Eastman Uptown AR805ce more >>>
- Ibanez FA-100 more >>>
- G&L ASAT Junior II NOW $899 more >>>
- Martin OMCPA3 More >>>
- Greg Bennett AB-11ce/AM more >>>
- Rare Vintage 1978 Alembic BassMore >>>
- 1964 Guild Mark II Classical more >>>
- Vintage Sunn 1X15 Bass Cabinet more >>>
Click on one of these instruments or just scroll down for photos and more information.
Zach's Archives
Want to peek at the extraordinary range of cool and interesting instruments that have passed through Zach's Attic? Just click HERE!
Contributing to Zach's Attic
We're always looking for interesting used and vintage guitars, basses and other fretted instruments that need new homes. (Sorry, we don't accept used band instruments.)
If you have a used or vintage instrument that you think Zach might be interested in, bring it in and show it to him. (Call ahead to make sure he'll be in the store when you come.) If he likes your instrument we can work out a trade or buy it outright.
You can contact Zach by phone at the number above or via our Ask Us! page.
Our Guarantee
Buying a used or vintage instrument can be a scary process. If you don't know what you're looking for, you can easily overpay or end up with an inferior (or even unplayable) instrument.
When you buy a used or vintage instrument from The Minor Chord we guarantee it to be as described. If there are flaws in the instrument that we know about, we'll tell you. If there are significant flaws we didn't notice and disclose, tell us within 30 days and we'll cheerfully give you your money back.
The Minor Chord is a music store you can trust!
Our Used and Vintage Instruments
Zach is our store manager and head instrument buyer. He hunts down the top quality used and vintage instruments that we feature here in "Zach's Attic".
Rickenbacker 360/12 FiregloIt's always nice when the classic models find their way into the Attic. Here is perhaps the all-time classic electric 12-string guitar...the Rickenbacker 360/12. Always sharp looking in the Fireglo finish. This particular guitar was sold here used a few years back to a local customer. He played it sparingly and has decided to let it go. Overall in excellent condition, some finish wear around the strap button. Nice low action, very easy to play. There's a reason these are so popular, they sound fantastic! Plug in and chime away, hook up your favorite chorus and compressor pedal to enhance the sound. A great deal at $1,399.00 in the original Rickenbacker hardcase. |
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Fender 68' Custom Princeton ReverbOne of the all-time classic Fender amps has found it's way into the Attic. A great mid-sized amp with 12 watts of tube power and the single 10 inch Celestion speaker. It can play softly and sweetly and also crank up to get that gritty tone. We've had a few of these vintage come through over the years, this is the reissue of the popular 1968 Silverface aluminum 'drip edge' model. Nice having the footswitch available to turn on/off the reverb and vibrato. Near mint condition, $699.00. |
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Gibson ES-137 CustomThis gorgeous Gibson ES-137 was personally built for a great friend of the Minor Chord by the folks in the Gibson Custom Shop in Memphis, TN. Easy to look at for sure in the stunning deeper red finish. But it not only looks good, it feels and sounds great too! Not too far from an ES-335, it handles rock/jazz/blues exceptionally well. The ebony board is smooth to slide around, nice comfortable 'C' shaped neck. The '57 Classic humbuckers surely fit the guitar well. The varitone knob adds some nice extra tones. A small amount of wear around one f-hole and minimal gold hardware tarnishing. Otherwise in excellent condition. Asking $2,399.00 in original Gibson hardshell case. |
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Vintage Guild T-50 'SB' ON HOLDThe exceptionally cool hollowbody guitars keep on rolling in...here is the latest, a 1978 Guild T-50 thinline sunburst. Made in Westerly, RI during a well-respected era for Guild, it has a really nice vibe. Acoustically it's got warmth and decent sparkle on the trebles. The neck is comfortable with the slim nut width and shorter scale. Simple setup plugged in with the single coil pickup and one volume and tone control. We've got it setup for .010-.046 gauge strings, it could be jazzed out more if heavier flatwounds were put on it. With a bit of grit in the sound, it really nails the raunchy hollowbody blues tone. Excellent condition with the original Guild chipboard case. $899.00. |
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Eastman Uptown AR805ceAnother quality jazz guitar has found it's way into the Attic. Eastman is known for making good quality instruments at fair price points, this Uptown AR805ce is no exception. Overall in excellent condition with a couple minor marks, it's ready for that next jazz standard. Acoustically it's got that jazzy tone, the neck feels nice and the ebony fretboard is smooth to play. The single floating pickup relays the acoustic properties nicely when plugged in. The single volume and tone wheels mounted to the pickguard are a nice touch. Excellent condition with a hardshell case included. $1,099.00 |
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Vintage Ibanez FA-100From a well-regarded era for Ibanez, here is a vintage 1979 FA-100 hollowbody. Basically a copy of a Gibson ES-175D, you can yield the same fat, warm, jazzy tones. We've set it up for D'addario EXL115W, .011-.049 with the wound 'G' string. Adding flatwounds would jazz it up even more. The classic sunburst finish is attractive and overall the guitar is in very good condition. The strap button was moved from the side to the neck at some point. $899.00 with hardshell case included. |
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G&L ASAT Junior II NOW $899Here we have a unique instrument from our friends at G&L. This particular guitar has an interesting story behind it. It was built in 2012 as more of a prototype for the Autumn Burst color over the Korina wood body. Apparently the color never stuck in their catalog so this particular finish is certainly more rare. It was gigged with by a few G&L employees for a while because they liked it so much. Nice chunkier neck profile with the ebony board and 12 inch radius feels really good in the hand. The quartersawn neck is less prone to warping over time.The dual P-90 pickups really wail and we like the simplicity of the single volume and tone controls. The guitar at one point was dropped in the case so there is a repair by the input jack. With the black outer edges, it's not super noticeable. The graphite saddles were added as well at some point to prevent string breaking. All in all a unique instrument, $999.00 including U.S. hardshell case. |
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Martin OMCPA3Just traded in is another nice solid wood Martin, the OMCPA3. Part of Martin's Performing Artist line, it's a great all-around guitar. The OM body style is more comfortable than larger shapes, and the cutaway allows easy access up the fingerboard. Solid rosewood and spruce yields a full, balanced tone. Now that this instrument is a few years old and lovingly played, it's starting to season nicely. The Fishman F-1 Aura system has more than meets the eye and can dial in some fantastic plugged in sounds. The built in chromatic tuner is also a plus. $1,349.00 with the original Martin hardcase included. |
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Greg Bennett AB-11ce/AMIt's amazing how many cool bass guitars have come through the shop recently. Most have gone away, but here's a sweet Greg Bennett design AB-11ce/AM. This is a one owner, excellent condition instrument that's been well cared for. Some acoustic basses are thick and difficult to get around, but with the 3 inch body depth, it's much more comfortable. Plugged in the Fishman system works great with separate sliders for volume, bass, middle, treble, and brilliance. The hardshell case is also in excellent condition. Nice low action it plays great. This is a hard bass to find and we expect it to move very quickly at $499.00. |
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Vintage 1964 Guild Mark IIHere's a wonderful 1964 Guild Mark II classical guitar from the 1960's folk era. Overall in very good to excellent condition, it's seen some playing time but it's structurally sound and nicely worn in. Open tone with a nice low end despite being a solid top instrument. The 3-piece neck provides added strength so the neck remained true despite all the years, and the medium carve is nice to wrap your hand around. The longer 25.5 inch scale is unique and interesting for a classical-style instrument - it does affect the sound and playability compared to shorter scale instruments. Beautifully figured Brazilian rosewood fretboard. The 'D'-string tuning machine is slightly bent but it works fine and doesn't need to be replaced. Check out the very cool case as well. This is a very good deal at $599.00 |
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Vintage Sunn 1X15 Bass CabinetJust arrived in the Attic - this early 70's 1X15 inch Sunn bass cabinet. Back in the 60's and 70's, Sunn was one of the top bass amp and cabinet manufacturers. Sturdy pine cabinet, very good condition with minimal wear, and it's not a huge cabinet compared to other 15-inchers. The speaker is located on the left side of the cabinet so when you tilt it onto its side feet, the speaker is right off the floor to dispense the sound. Very nice full and clear tone. We have our G/K MB200 head set up to power the cab and it sounds great! The speaker only has an 80 watt rating, but it's mounted in an efficient open-vented cabinet so it still makes lots of noise. You won't need (or want) to put tons of power through it. Bassists out there...if you're lacking a 15 inch speaker in your rig and appreciate things vintage, this is a great deal at $349.00. |
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Common problems with used instruments
We see a lot of used instruments at The Minor Chord and a few common issues seem to show up in many of them. If you are thinking of buying an instrument on the private market, make sure you can spot these common flaws.
Lifting bridges
Most bridges on acoustic guitars are simply glued to the guitar top. If the glue joint starts to separate you are looking at a dangerous guitar. Six steel strings exert a huge tension on the bridge, and if it suddenly comes loose it can seriously injure anyone nearby. The staff at The Minor Chord has seen this happen - so we always inspect the bridge of an acoustic guitar before restringing it.
Piece of paper under a lifting bridge
If you can slip a sheet of paper under the bridge of your guitar (see picture) you should relax the string tension immediately and bring the instrument to us for inspection.
An experienced luthier can remove a bridge and reglue it, but the time and labor involved makes the process too expensive for beginner and intermediate guitars.
High action
The distance between the strings and the fingerboard is called the action height. If the action is too high the guitar becomes hard (or even impossible) to play because it takes too much effort to press a string against the fingerboard. In addition, the guitar will probably not play in tune because each string has to be stretched so much (which raises its pitch) as it is pressed down.
Proper action height depends on two factors: The alignment of the neck and the height of the saddle (the point at which the strings rest on the bridge).
Electric and steel-string acoustic guitars usually have a truss rod running down the neck that can be used to adjust neck alignment. Classical-style guitars with nylon strings typically do not have a truss rod, and the only way to realign the neck is for a luthier to remove, shim and reinstall the neck - a major operation. The same operation is required on electrics or steel-string acoustics if the truss rod doesn't have enough available play to achieve the needed adjustment.
Saddle height is easily adjusted on electric guitars using a very small allen-head wrench. The saddles on acoustics and classical nylon strings may simply lift out of the bridge and can be shaved or shimmed to achieve the correct height. If these adjustments cannot bring the action height to a playable level, an expensive neck reset is required.
A low action height is desirable for easy playing but the action cannot be lowered so much that the strings start buzzing against the frets. Inexpensive guitars tend to have uneven frets, which means that the action height cannot be brought very low at all. Resetting or dressing the frets can even them up but it is a time consuming and expensive process, worthwhile only for valuable guitars.
All of these adjustments related to action height are fussy and interrelated. It's best to leave them to an experienced luthier, which means it is usually not economical to rescue an inexpensive guitar having these problems.