Taylor guitars are wonderful solid-wood instruments with a characteristically bright sound and very playable necks. We stock Taylors in a great variety of body sizes and styles ranging in size from Jumbo (larger than a Dreadnaught) down to the Baby Taylor.
The Minor Chord is proud to be an Authorized Taylor Dealer. If you are shopping for a Taylor guitar, you will want to play and compare before you buy. Our prices are competitive and our service is second to none - so why not visit us?
For complete information about Taylor guitars and the very natural and clear-sounding Taylor Expression SystemTM pickups, please see the Taylor Guitars web site.
As of September 21, 2016 we have the following Taylor instruments in stock. We can also, of course, custom order an instrument to your specifications.
Click on a model number or just scroll down to see descriptions and photos of each instrument.
- 150e 12-string Back in stock
- 214ce-N Back in stock
- 214ce-BLK-DLX SOLD
- 310 with tortoise pickguard
- 312ce-N SOLD
- 322ce SOLD
- 356 12-string
- 412 SOLD
- 414 with 1-7/8 inch nut SOLD
- 414ce SOLD
- 510 mahogany top SOLD
- 516ce Model change - Special price!
- 526ce Model change - Special price!
- 618e maple body SOLD
- 712ce-N 'Natural' with custom cedar top
- 714ce-WB New 2016 model with wood binding - photos soon!
- 812ce SOLD
- 814ce SOLD
We also carry the Baby Taylor half-size guitars.
Taylor redesigned the 614ce in 2015.
Right away, you notice its striking appearance with gorgeous figured maple back and sides enhanced by the rich brown-sugar stain. The striped ebony pickguard complements the look. The ebony plates on the front and back of the headstock are another elegant touch. Inlays set into the ebony fretboard and an abalone rosetts round out the impressive appearance of this guitar.
Unplugged, this guitar has a fuller voice than the previous 614ce due to redesigned back bracing, the torrified spruce top, and a thinner top finish. It is well balanced in higher neck positions and maintains its clarity nicely. With the satin finish on the back of the neck and the ebony fingerboard it feels really smooth in the left hand.
Plugged in, it boasts the Taylor ES2 system which is always lush and full-sounding.
All in all, this versatile Grand Auditorium instrument is a pleasure to play and a sight to behold. A clear winner from Taylor!/p>
A new big-bodied addition to our Taylor line, the 418e has Taylor's jumbo-sized "Grand Orchestra" body with a generous 20-5/8 inch length, 16-3/4 inch width, and 5 inch depth. The scale length is also a bit longer than other Taylor guitars at 25-1/2 inches. Solid ovangkol back and sides, sitka spruce top, mahogany neck with genuine ebony fretboard.
What does this all mean? If you're looking for more low-end but with that classic Taylor sonic clarity, the 418e has it! The longer scale length adds a tighter percussive element to the sound as well. Pair that with the extra-large body shape and you get more volume, too.
Equipped with the new Taylor ES-2 electronics, this guitar is ready to roll either plugged-in or straight acoustic. This is a solid guitar with a really solid sound!
We are fans of Taylor's Grand Symphony body shape with its comfort and stronger low end compared to their Grand Auditorium models.
This Grand Symphony guitar boasts solid tropical mahogany back and sides, a solid Sitka spruce top, a 1-3/4 inch nut width, and ebony bridge and fretboard.
True to the Grand Symphony design, it is a well-balanced guitar that projects extremely well with a nice low-end chunk and very clear mids and trebles.
Plug it in and the ES2 electronics deliver whatever plugged-in tone you need.
This 526ce is similar to the 516ce above except it has a solid tropical mahogany top instead of the 516ce's Sitka spruce. With its all-mahogany construction it has a more 'woody' tone with a stronger low end - maybe a bit less projection but a lot more boom!
Like the 516ce it has a very nice feeling smooth neck with a 1-3/4 inch nut and ebony fretboard and bridge.
We're pleased to offer the 322ce, the latest addition to our Taylor 3-series collection: A compact-bodied Grand Concert-size cutaway with the new Taylor ES2 electronics.
The 322ce features a solid sapele back and sides, a solid tropical mahogany top, an ebony bridge and fretboard and a slightly shorter 24-7/8 inch scale.
We've always stocked a nice selection of smaller-bodied acoustics and Taylor has done well with the 322ce. Unplugged, small-bodied guitars typically lack 'oomph' in the lower register but the solid mahogany top on the 322ce makes up a lot of the difference. (A spruce top would tend to play a lot brighter, weakening the low end.) The mids and treble tones are nicely balanced as well.
Whether strumming or fingerpicking, we found the 322ce played easily and sounded great. Plugged in, whatever low-end power you might feel is lacking can be more than compensated by the ES2 electronics - a full, lush amplified sound with plenty of strong bass.
We dig this guitar - and chances are you will, too!/p>
We order this Taylor nylon-string model with a custom natural cedar top instead of the standard spruce because we think it gives the instrument a more genuine classical nylon sound.
The compact Grand Concert size body is comfortable for players of any size. Solid cedar top, solid Indian rosewood back and sides, ebony fingeroard and bridge. Taylor ES-N electronics.
Taylor nylon-string instruments deliver classical tone with a neck designed to be more familiar to the steel-string player. Slightly narrower at 1-7/8 inches than the usual two-inch classical neck, the fingerboard is also slightly radiused to deliver the famous Taylor playability.
The 712ce-N is the perfect guitar for the steel-string player who wants to explore the classical nylon-string sound.
The 150e is a new addition to the family of Taylor 12-strings. This instrument is amazingly affordable, yet delivers the famous Taylor playabliity in a 12-string format. This is destined to be a very popular model - the first 150e we received from Taylor sold in a matter of days.
Dreadnaught body style, solid Sitka spruce top, layered sapele back and sides. Ebony fingerboard and bridge. 1-7/8 inch nut. Onboard Taylor Expression System electronics.
The 150e is a terrific way to explore the world of the 12-string!
We just received the updated 2014 model equipped with the all new ES-2 electronics.
The 812ce pairs a back and sides of solid Indian rosewood back and a top of solid Sitka spruce with a redesigned bracing pattern similar to that on the updated 2014 814ce. We had noticed a difference between the old and new 814ce, but we really notice a change in tone between the old 812ce and the updated model.
The 812ce Grand Concert body shape mixes well with the updated construction to enhance the overall warmth of the sound. Many smaller-bodied instruments lack strength in the bass register, but this guitar has it - but is still very nicely balanced.
With the short-scale neck and 1-3/4 inch nut width, this is a very comfortable-playing guitar. It's a great choice in a small-bodied instrument.
The 714ce has an all-new configuration this year. Taylor's popular model now features the new ES2 pickup technology, the second generation of the acclaimed Expression System.
The Grand Auditorium body shape is Taylor's most versatile choice. In the 714ce it is paired with solid Indian rosewood back and sides and a Sitka spruce top with a sunburst finish. 1-3/4 inch nut. Americana-style inlays.The new ES2 system adds a nice warmth to the plugged-in tone of this guitar. The new 714ce configuration is another solid choice from our friends at Taylor Guitars.
This is a 200-series Taylor with some nice upgrades.
If you love gloss-black guitars you'll really dig this 214ce-BLK-DLX with its versatile Grand Auditorium body style, laminated sapele back and sides, solid Sitka spruce top, and 1-11/16 inch nut width.
Upgrades include the full Expression System electronics package instead of the ES-T undersaddle pickup normally supplied with 200-series instruments, and a hardshell case instead of the usual featherlite travel bag.This guitar has great low action and playability as well as a bit brighter sound. It's the perfect choice for the lead acoustic player.
We custom-ordered this 414 with a 1-7/8 inch nut. We like to have a few steel string acoustics on hand with wider string spacing for the fingerstyle player - or for a player with larger fingers who simply requires more space on the fretboard.
We chose the 414 because it is a great overall guitar that handles all playing styles well. The Grand Auditorium body shape is always a solid choice for the player who likes a little bit of everything: It's comfortable both when strumming and when fingerpicking.
The back and sides of the 414 are ovangkol, a beautiful golden colored wood with an acoustic tone reminiscent of rosewood but at a more affordable price level. The top is Sitka spruce and the fretboard and bridge are ebony. The fretboard is marked with elliptical inlays.
We've just received another Taylor K26-ce, and this one is even more beautiful than the last. It features all solid and strikingly-figured Hawaiian koa wood in the back, sides and top. We typically find koa to have a bright, clear sound. But paired with the Grand Symphony body shape, the K26-ce delivers more low end punch than we would expect. It is an excellent choice for both strumming and fingerstyle.
The K26ce features the koa and maple 'Island Vine' inlay design on the fretboard and headstock. This wood pairing matches the guitar beautifully and lends an elegance to the instrument without being overly showy. The rosette has concentric rings of rosewood, maple and rosewood. The purfling around the top is maple. The top itself features a subtly shaded edge-burst finish which gives it a 'sunburst' look without taking away from the beauty of the wood grain.
Plugged in, the Taylor ES2 electronics give the guitar excellent balance and projection.This guitar has everything going for it...sound, playability, and looks!
With the 816ce, the folks at Taylor have delivered another hit!
This instrument sounds as good as it looks. It features a Grand Symphony body shape that delivers increased bass reposnse. All solid Indian rosewood back and sides, with a solid Sitka spruce top. The flame maple binding on the body and neck really makes this guitar visually "pop".
The cutaway and Taylor's Expression System electronics make a great performance instrument. This is an excellent choice - a Taylor model that is becoming increasingly popular among Taylor players.
Taylor introduced the new Grand Orchestra body shape in 2013. This large-bodied guitar has a 20-7/8 inch body length, a 16-3/4 inch body width across the lower bout and a 5 inch body depth.
The 618e features back and sides constructed from nicely figured solid big-leaf maple and a solid Sitka spruce top. The neck is maple with an ebony fingerboard. An abalone rosette and twisted-over fretboard inlays add a touch of class.
We were surprised at the strong low end this guitar produces - a nice chunky sound when played with a heavy attack or with palm muting. Very different from the usual 'Taylor' sound! Maple generally produces a nice clear tone, but with the addition of the extra Grand Orchestra bass response the effect is dramatic: clear but robust. Plugged in, it really shines with the Expression System electronics.
The new Grand Orchestra body style also introduces a new internal bracing scheme that optimizes top movement. This new construction produces a louder, more balanced tone with great sustain.
If you're looking for a Taylor with big tone reminiscent of the classic big-bodied maple guitars of the past... the 618e won't disappoint.
The 100 and 200 Series Taylors are known for getting you into that famous Taylor sond and feel at an affordable price. Here's a Taylor ready for your next gig at a price under $1,000.
The specs: Dreadnaught body size, laminated rosewood back and sides, solid Sitka spruce top, ebony fretboard and bridge. 1-11/16 inch nut width. Full gloss body, tasteful snowflake inlays.
We compared this 210e DLX side by side with the Taylor 110e, a 100 Series dreadnaught with sapele back and sides. We found the 110e to be more open and 'jangly' in tonal character. In comparison, the 210e-DLX has a more well-rounded tone. The mids are a bit scooped and the overall sound is more naturally compressed. However, both instruments maintain the classic Taylor sound and feel - so it all depends on your tonal preference.
Taylor has upgraded the 210e DLX with the new ES2 electronics, which have a nice beefy tone compared to the first-generation Expression System. Jam in your living room or onstage with this bad boy!
A Taylor hardshell case is included.
The 356 is our newest addition from the Taylor line of 12-string guitars. This marvelous Grand Symphony instrument has a solid Sitka spruce top and solid sapele back and sides. Twelve-string guitars usually tend to be bright-sounding, but the larger lower bout in the Grand Symphony shape adds a more 'chime-like' tonal quality to the overall sound of this one.
This is a surprisingly "playable" 12-string, with a super low action and a manageable 1-7/8 inch nut width. We find that our customers gravitate to the Taylor 12-strings for exactly these features, often choosing the Taylor twelves over competing brands.
Come in and try this twelve - you'll be impressed!
Here's another new addition to our selection of Taylor guitars.
The 412 has Taylor's very comfortable Grand Concert body size with all solid ovangkol sides and back and a Sitka spruce top. The short-scale neck and 1-11/16 inch nut give the player a smooth, slim feel.
Although the body size is small, this guitar is well-balanced and projects nicely. The 412 is ideal for a player who prefers smaller-bodied instruments or someone with smaller hands.
Taylor has changed the terminology this year for their 5-series Dreadnaught. It is now called the 510 instead of the DN5. We ordered a custom version with a beautiful solid tropical mahogany top in a full gloss finish. Compared to the standard Sitka spruce top, the mahogany yields a darker and richer tone than you would expect from a Taylor. It also looks fantastic matched with sides and back of the same wood.
The 510 has Taylor's classic Dreadnaught body shape, a 1-3/4" nut, tortoise binding, and an abalone rosette. The diamond pearl fingerboard inlays truly "pop" next to the full gloss mahogany body. Gold-finish tuners round out the aesthetic appointments.
We are very pleased with the sound of this custom instrument, and like all Taylor guitars it plays very easily. It's a great choice for someone looking for a Dreadnaught-size Taylor with a full sound. And because it's a custom instrument, we bet you won't find one anywhere else.
The 414ce is Taylor's 4-series Grand Auditorium cutaway acoustic/electric.
It has solid ovangkol back and sides, a Sitka spruce top, a 1-3/4 inch nut, and an ebony bridge and fingerboard with elliptical pearl inlays.
The 414ce is one of Taylor's best selling models. Strumming or fingerpicking, either acoustic or plugged in - this guitar has you covered. Best of all, it's Grand Auditorium size makes it very comfortable to play.
The 914ce is one of the top models in the Taylor line. Taylor completely redesigned this model in 2015, inside and out, adding an ebony arm-rest bevel and new ES2 electronics. Beauty, sound and playability - this guitar has it all!
Grand Auditorium size. All solid Indian rosewood back and sides; solid Sitka spruce top. Elaborate 'Cindy' inlay and abalone trim.
This guitar delivers an marvellous balanced sound whether you play it acoustic or plugged in.
This is the new version of Taylor's former NS32ce model.
It is a Grand Concert size instrument in all solid sapele back and sides and a solid Sitka spruce top. Ebony bridge and fingerboard. Black binding. 1-7/8 inch nut.
The 312ce-N is a comfortable and versatile crossover instrument - an electric nylon-string guitar with Taylor's signature easy playability.
Formerly called the DN3, the 310 is Taylor's most affordable all-solid-wood dreadnaught. Sitka spruce top, solid sapele back and sides, and a genuine ebony fingerboard and bridge.
The 310 usually ships with a plain black pick guard, but we think the traditional tortoise pick guard looks much better so we special-order ours with that option.
The 310ce is Taylor's most affordable all solid wood acoustic-electric dreadnaught. Like the acoustic 310, it has sapele sides and back, a Sitka spruce top, and a genuine ebony fingerboard and bridge (unusual at this price point). It is equipped with Taylor Expression System electronics.
The 310ce's all-solid dreadnaught body delivers tons of sound. This guitar will stand up to heavy strumming and can deliver the volume and intensity you need in live performance.
The 314ce is one of our most popular Taylor acoustic-electric models. Very comfortable Grand Auditorium shape. All solid wood construction with sapele sides and back and Sitka spruce top. Includes Taylor Expression System electronics. Smooth playing genuine ebony fingerboard and ebony bridge. This is a great all-around versatile guitar for both strumming and finger-style playing.
Formerly called the GA3, the new 314 has solid sapele sides and back, a Sitka spruce top, and genuine ebony bridge and fingerboard. The body is bound in black and the fingerboard is unbound.
Taylor normally ships the new 314 with a plain black pickguard. We think the guitar looks better with a traditional tortoise pickguard, so we special-order ours that way.
With its Grand Auditorium size and a 1-3/4 inch nut, the 314 is very comfortable to play and works well for both flatpicking and fingerstyle. This is an affordable all solid wood instrument with the characteristic 'sweet' Taylor sound.
The 416ce is a new model in the Taylor line. It has a Grand Symphony body shape with a cutaway. The back and sides are ovangkol, with a spruce top, and is equipped with Expression System electronics.
This instrument has a nice big, clear sound. It is a versatile guitar, good for both strumming and fingerpicking.
Taylor has completely redesigned the 814ce for 2014, to much excitement. The internal bracing has been completely re-voiced. It is now a hybrid of scalloped and parabolic bracing, and the braces are installed diagonally instead of straight across the body of the guitar.
The external appearance has changed for 2014 too. The new 814ce sports a pickguard of thin rosewood veneer instead of plastic, and Taylor is using a new finish technology that drastically reduces the finish thickness. They say the new finish reduces the damping effect a finish can have on a guitar's tone.
The electronics have been redesigned as well. The 814ce now comes equipped with the second-generation ES2 system, which has a slightly deeper and richer sound than Taylor's original Expression System electronics.
The Grand Auditorium body size is a versatile choice and works well for many playing styles and situations.
Taylor nylon-string guitars are cross-over instruments: Their sound is reminiscent of a classical guitar but they have the playability of a Taylor steel-string.
This 214ce-N has a Grand Auditorium body with a Venetian-style cutaway. The guitar has a solid gloss-finish Sitka spruce top and laminated rosewood back and sides. The bridge and fingerboard are ebony. The nut is 1-7/8 inches, which is distinctly narrower than a typical classical-style instrument. The ES-T electronics are specially tuned for an excellent nylon-string sound.
This guitar has a nice clear, balanced tone. It's easy to play (especially compared to a typical classical instrument) thanks to the cutaway body style and Taylor's legendary neck design. This is a solid choice for the working musician looking for the nylon-string sound.
The 110ce is Taylor's most affordable dreadnaught with a cutaway body style and Taylor's ES-T pickup system. Laminated sapele back and sides; solid Sitka spruce top; ebony fingerboard.
The 114ce is built to the same specifications as the Taylor 114e below but with a cutaway body style. Like the 114e, it is equipped with Taylor's ES-T® pickup system.
The 110e is a new model for Taylor, replacing the popular 110. The 110e has the same solid Sitka spruce top and laminated sapele back and sides of the original 110 and shares its full-sized dreadnaught shape. The 1-11/16 inch neck delivers the famous Taylor playability.
We like the 100-series from Taylor because even at a very attractive price point they equip these instruments with genuine ebony bridges and fingerboards. For the 110e, Taylor have added their ES-T® under-saddle pickup - and the price is lower than the original acoustic-only 110!
The 110e is an impressive guitar at its price point, perfect for the intermediate player looking to step up or as a second guitar for the performing artist (for example, for alternate tunings).
If the Taylor 1-Series is in your price range but you prefer a slightly smaller-bodied guitar, consider the 114e. It has the same construction as the 110e but in a more compact Grand Auditorium body shape.
Compare the photos of this 114e to the 110e above and you will notice the smaller upper bout and the distinctly narrower waist - making the 114e a very comfortable guitar for most players.
The GS-Mini is Taylor's new fractional-size guitar with the same "NT" neck construction as their full-size models. Available with a solid mahogany top (pictured at left) or a solid Sitka spruce top (pictured below). Both models have an ebony bridge and fingerboard.
The GS-Mini is a scaled-down version of the Taylor Grand Symphony shape. It is surprisingly loud for a small instrument, with a warm sound.
If you are looking for a travel guitar or a smaller instrument but want a neck closer to the size of a standard guitar, the GS-Mini is a great choice.
You can easily add the optional Taylor ES-Go magnetic soundhole pickup for acoustic-electric playing. The ES-Go V-cable allows you to control your volume right on the cable and includes an iPhone audio interface that allows you to record anywhere.
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